Using as her source material a segment of 1970s European softcore pornography, Naomi Uman created this derived piece by painstakingly removing the female from each frame using bleach and nail polish remover, thus presenting the viewer with a bizarre, ghostly effect of a figure; a blank void of a woman.
(via spatialconcept)
Living Architecture: India
Images from the book by Andreas Volwahsen published in 1969. [via]
(via damienericwallace)